Liberated Quilting : Finding What You Like

Years ago I bought a book called “Liberated Quiltmaking II” by a lady called Gwen Marsden. I found the whole technique that she used for improvisational piecing very refreshing. I like rules, but I also like to know how far I can bend them and this book showed me a new way to piece patchwork without so many rules or worries. Early on, I made a number of small items using this technique and gifted them away. I wish I had taken more photos of my very early work. Not because it was uber memorable, but so I could have better recorded my journey through quilting and more importantly my journey to find the things I like most in the wide array of techniques and genres that make up the patchwork and quilting world. After a lot of small pieces, I did make a quilt, very loosely based on ideas gleaned from Gwen’s book.

Around the same time as this, I found a blog by Kate Pedersen called Sew Katie Did . Kate’s improvisation technique was more controlled but created the most amazing edgy modern pieces. I remember on our first family holiday in the Lake District, taking my sewing machine and working my way through a number of the pieces in her book Quilting Modern (which funnily enough she wrote with Jacquie Gerring, who also wrote WALK, the book I reviewed for #fridayreads this month). This is a piece I made on that holiday whilst Brian fell walked with the girls.

These two pieces are strikingly different but are linked by the more free approach they take in piecing. I think with quilt making my heart probably rests somewhere between the work of Gwen and Kate. I would be more certain if I felt more confident in working around a blank canvas, the complete opposite of creating a quilt strictly from a pattern. However, I can say with certainty that this is the direction my own personal quilting is most likely to go in the coming years.

I currently teach a class once or twice a year on my own GillyMac version of Liberated Quilting. Last week there were ladies here at the studio, eating cake and challenging themselves with colour and a more relaxed approach to piecing. I am not sure if they were complete converts to throwing away patterns, but I know they all enjoyed the day, as did I in hosting it.                 

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Teen Modern Quilting Challenge : Part 1 ~ Ice Dyeing 

Sometimes a challenge can get the creative ideas flowing and a month or so ago my Saturday Morning class were set a challenge, to create a small piece of work, based on one of four pictures of places special to me. There were of St Basil’s Basilica in Red Square, the Isle of Skye, the Dead Sea in Israel or the Blue Mountains in Australia. All places I had visited for the first time in my teens or 20s that I just loved and still do.

I wanted the girls to look at the colours and mood of the pictures, not necessarily the composition, and use small pieces of fabric to create a modern mini quilt top – about the size of a large placement.  Using just plain fabric would be a good start, but to add to this, and give their mini quilts ‘movement’, we decided to give ice dyeing a go. Although I dye frequently for myself, I’d only ice-dyed once before – so it was an adventure for all of us!

We started with fabric which had no manufacturing residues on it. If you give any fabric a good wash in a machine it should be fine.  I like to used Egyptian cotton which has a high thread count and arrives ready for dyeing. There is no need to dye large pieces – in fact, the pieces we were dyeing were around fat quarter-ish size in area.

I prepared a soda ash solution*, which is a fixing agent, ahead of time and let it cool. Each piece of fabric was soaked in the soda ash solution and wrung out.  Then it was up to each individual how to arrange their piece. They could fold, pleat, scrunch, roll or twist their fabric pieces. We then secured the folded fabric with a couple of elastic bands. The fabric bundles were placed on a metal rack (I used a cooling rack) which was suspended over the sink. This is so that as the ice melts, the fabric isn’t sitting in a pool of mixed up dyes. The dye that isn’t soaked into the fabric just drips off the metal tray.

We then covered the pieces completely in ice. It can be hard to get the ice to stay on top of your mounds of fabric so crushed ice can be easier if you get into trouble. Once completely covered (and with gloves on), we used 1/2-3/4 teaspoon of three or four power dyes (I used Procion MX dye) sprinkled

over the ice. The colour of dyes was chosen on the basis of what we had and what fitted with the mood of the picture we would be working with. As there were 5 people dying 10 bits – all of which were on one rack – we expected some crossover of dyes as the ice melted – which was another element of excitement for us. Finally, we sprinkled 4 tablespoons of salt onto the ice. This was to help the dye fix into the fabric rather than wash away later.

This was then left for 24 hours, for the ice to melt and the dye to settle into the fabric bundles, at the end of 24 hours, once again with gloves on, the bundles were unwrapped and rinsed in very hot water and placed in washing machine where they were all washed together on a quick 30 minute was with normal washing detergent.

…. and…….this was the outcome. We were thrilled!

   

Now the next stage could begin – they were going to start to compose their pieces!

*I used 10 teaspoons of soda in 500ml of hot water. Be very careful when you dissolve the soda ash. Always wear gloves, do this in a well-ventilated room and do not inhale the gas that is generated. Just a few precautions and you will be fine. Always follow the soda ash manufacturers instructions to the letter. If you have any of this solution left afterwards, then store it in an airtight container, label the container (very important) and store it for the next time.

Happy Sewing …… Gill

Note: All Gill’s Child/Teen sewing classes are full at this time. To go onto a waiting list, please email mail@gillymacdesigns.com

 

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