My Latest Adventure with Aneela Hoey – The All-In-One Box Pouch

I’m a HUGE fan of Aneela Hoey, her patterns and the way she can create such fun mini projects, most of which can be achieved in an evening. This time I wanted to make the All-In-One Box Pouch. The standalone pattern has been recently updated, but a version of it can also be found in Aneela’s book – Stitched Sewing Organisers.

I have to admit to having a tendency to be distracted by sparkly things and for a long time now I have been loving working with Robert Kauffman Metallic Essex Linen. I find that for these boxes, the added firmness of the linen fabric is really helpful and of course, like a child, I love the way it sparkles in the light! For this project, I have used Ebony Essex Linen with Gold Metallic Threads and twined it with Tula Pink’s Tabby Road Fur Ball Fabric in the Strawberry Fields colorway.

I enjoy evenings making things much better when I have previously got myself all prepared. As well as fabric, for this project, you will also need fusible interfacing (I used light-medium Vilene F220/304), fusible fleece (I used Legacy Extra Lofty Fusible Fleece) and also clear vinyl (I used sparkly vinyl – obviously:-)). The day before I spent an hour cutting out, fusing on and ironing binding strips – all ready for my solo #saturdaynightcraftalong.

The first thing to make is the front pouch. I hadn’t made a pouch like this previously  – but having done it, I will certainly be adding it to the techniques I used most frequently. It is created by adding the binding and zips to the vinyl and then casing it in the lining and basting the external fabric on the reverse. If that wasn’t clever enough, the 20″ zip is then sewn around the pouch … then the whole lot has binding applied all around the edges.  I’ve missed out a few steps, as Aneela’s Pattern is her own, but believe me it is super clever and not hard when you take it step-by-step!

After the fervor of making the front pouch it was time for tea and cake and a little hand sewing to finish the binding off. Then I was off again !!!….. making the back pocket and then adding it and the front pouch to the exterior pieces of the main pouch. The pouch is then sewn together and suddenly you are finished. WHEW !

All in all (without cutting out). It took me 2 1/2 hours to make this – so 3 1/2 hours with cutting and fusing.

The important points to highlight about the pattern is that however experienced you are, read it properly and follow it closely. Don’t skip the kick -off steps making up the tabs, adjusting the top of the long zipper or marking up the material as directed. These are all vital to your success. My bag is now filled with my traveling medicine cabinet. You can get a lot of stuff in this pouch!

I so loved making this, I have already cut out the pieces for another one. Once again I am using the Metallic Essex Linen (this time Navy with Silver Metallic threads) but for the lining, I am going to use a Cotton & Steel/Rifle Paper Co.  fabric range called Amalfi. I like the combination of the Sun Girls and Waves fabrics, both in Coral. I thought I would use the Waves fabric for all the binding and the Sun Girls for the linings of both the front and main pouches. I think this combination will be perfect for my older daughter on the beach later on in the summer.

The next class with spaces on it to make the Aneela Hoey All-In-One Box Pouch is on 3rd July (7pm-10pm). Call Gill on 07818 551232 or email on mail@gillymacdesigns.com to book a space.

More information about Aneela and her patterns can be found here.

Happy Sewing …… Gill

 

Allow Yourself a Bad Idea…

Yesterday I had an extremely rare term time Saturday off from teaching my lovely teen classes and attended a lecture by Tula Pink, a young Amercian textile designer, who now lives just outside Kansas City.

If you don’t know Tula’s work then it is really worth having a look at her Collections.  They are beautiful,  often with the larger designs based on aminals buried within intricate curvy patterns with colour choices stand apart from other designers in the market.

Whilst listening to Tula describe her design process, she said something that really resonated with me – and I know it will resonate with many of my pupils. She said that she has learnt to no longer be afraid of a bad idea, in fact, she encourages a bad idea. When she gets a new journal for her designs, she scrawls over the first page, as now nothing in the book will be as bad as that first page. She explained that, for her, a bad idea is part of the process of having a good idea. She also said that a ‘block’ occurs when you dont give yourself the chance to have a bad idea. She believes her ratio is about 9-1 bad ideas to good ones.

Let us just think about this. So now, if I follow her suggestions,  tomorrow, instead of getting frustrated that I want to come up with an exciting idea for a quilt I need to make for an exhibition this year (and my current ideas are a bit rubbish)… now I can relax .. this is part of the process – a proper, successful professional designer says so. It takes the stress away … I feel better already and more excited about designing a quilt.

Why have I not thought of this before? In some ways I have.  I tell my pupils that I can solve their problems because I have made every single mistake they have made myself. I often make Katie laugh in the car home from school.  telling her about all the mistakes I have made that particular day, as she tells me about a tiny thing that has gone wrong for her… I think these things are similar. However, I see teen and adult pupils getting cross with themselves when they dont get’ that point’ perfect or the quilting design nailed on the first try. So now I will try and remind them (and me) of these words from Tula… Don’t be afraid of a bad idea – it is part of the process.

From Monday 5th Feb 2018 to Monday 12th Feb 2018, GillyMac Designs will be running an Instagram and Facebook competition to win a Tula Pink’s “All Star” Fabric Bundle – available here a whole 5 weeks prior to market launch.

Tula’s Next Range – ” All Stars”

 

Defining Your Own Colour Story

It is very easy to buy a bundle of fabrics, all from the same range, because the colour combination (often called a colour story) will have been worked out for you. In the Tula Pink Tabby Road Collection, the ‘Strawberry Fields’ colourway has red grouped with pink, aqua, green and cream and it looks fantastic. I’m not sure, if faced with a blank page, I would have come up with this group, but actually, I should probably have more faith my understanding of colour,  because the basics aren’t so hard. First, you need some inspiration, like a fabric, or colour or pattern. Then you need to find fabrics and check the colour value or tone to get a good mix. So in three steps, you have it cracked? Yeah … well … maybe there is more to it …. but really, not a lot more. Let’s go through the steps.

Inspiration

You need a starting point. That is your inspiration… as I said, it could be anything as simple as a fabric you like, or a picture you want to create a quilt around, it could be the favourite colour of the person you are going to give the quilt to, it could be seasonal colours – it could be anything.

Colour Combination

Once you have a colour to start with, then you need to understand the colour wheel.

In the colour wheel above, the solid triangle is pointing to the Primary Colours of yellow, red and blue. Those are the colours which are used to create all the others on the wheel. The dashed triangle is pointing to the secondary colours. Those are the colours that are created by mixing the primary ones. For example, red and blue create purple and so on. The colours not touched by either triangle are the Tertiary Colours – these are created by mixing primary and secondary colours. There are many shades of tertiary colours. These colours around the wheel are often referred to hues of colour.

Next to learn is how to combine colours successfully.  Colours opposite each other on the colour wheel are complementary. So, referring to the colour wheel above, yellow’s complementary colours are plum, purple and violet, and red’s complementary colours are green, turquoise and lime. Colours that are close to each other on the colour wheel are referred to as analogous and can be clearly seen to co-ordinate. Finally, the colours from yellow, clockwise around the wheel, finishing with plum are known as ‘warm colours’ and those from purple around to lime are know as ‘cold colours’.

Tone and Value

The first step is all about understanding what colour tone (sometimes called value) actually is. It is not complicated to understand this, so let’s take an example. If we take green – any green – then there isn’t just one tone of the colour, there are many. Think about a paint colour card. In the diagram below various amounts of whites and blacks (shades of grey) are added to the green base colour to create this range of tones. Often you will see a colour wheel with the colours around the outside and the tones of those colours merging inwards toward the centre. So if you decided to use a green – first pick the right hue of green (for example a lime green or a moss green or an olive green etc)  and then pick the right tone for your project.  When people talk about colour value, this is all they mean. What we call ‘rich’ colours have a  deep tone (high value) and pastel colours have a low tone (light value).

If you want to check the relative value of a group of fabrics. Lay the fabrics out together and take a picture of them – then turn the picture to black and white. In this way, you can immediately see the values. Try and aim for a mix of values in the quilts you make.

In Summary

So that is it – now you are ready to create your own colour story using your inspiration for the starting point, the colour wheel to get the right base colours and then a good mix of tones/values to create interest in your piece.   Don’t forget to give your colour story a great name,  like “Strawberry Fields”, or “Marmalade” which Tula used in her Tabby Road Collection!

In saying this, the most important thing in picking the colours and fabrics for your quilts is that you like them – so treat all this as a guide and not a rule!

Should you want to go on and create your own colour wheel, then Tula Pink’s free pattern “Moxie” could easily be used to do so by replacing the recommended fabrics with solid colours in the right tones.

Good Luck and please feel free to share your work with me @gillymacdesigns on Instagram or GillyMac Designs on facebook.

Good textile-focused colour wheels can be purchased from Lady Sew and Sew and Plush Addict  I haven’t found a good one yet on Amazon!